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Rebecca Ward

SBTD Designer

Rebecca Ward

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Biography

New Professional

Rebecca Ward is an award-winning costume and set designer with an MA (Dist.) in Costume Design for Performance from UAL.

She has designed costume and set for a number of fringe plays including a series of six plays in six weeks for Flywheel Repertory Company in 2025 and has worked as a production and costume designer on two short films including the upcoming The Last Man filmed on location in the Peak District. She also assisted designer Michael Taylor on Ukraine Unbroken at Arcola Theatre. Rebecca will work with Flywheel again this summer at Riverside Studios, designing five shows in five weeks.

Her attention to detail enriches characterisation and storytelling while always keeping the broader vision in mind. She is particularly interested in movement within set design and bringing her extensive knowledge of art history and working with artists into her costume designs.


Flywheel Rep Theatre Company

The Rover costume and set design
The Rover costume and set design, photo Miranda Mazzarella
Romeo and Juliet costume and set design
Romeo and Juliet costume and set design, photo Miranda Mazzarella
Lysistrata costume and set design
Lysistrata costume and set design, photo Miranda Mazzarella
The Lodger costume and set design
The Lodger costume and set design, photo Miranda Mazzarella
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Role:
Costume and Set designer and maker
Year:
2025
Venue:
The Old Red Lion Theatre, London
Company:
Flywheel Theatre Company

Coming on board just a few weeks before opening, Rebecca designed and built six shows in six weeks for Flywheel’s inaugural Rep season at The Old Red Lion Theatre in Islington. With extremely tight budgets she delivered six dynamic and stylistically different productions – The Rover set in the festival de Gràcia in Barcelona, Romeo and Juliet in a boxing gym, a new play based on Hitchcock’s silent movie The Lodger, Lysistrata portraying women in rebellion across millennia, an agitprop style Faustus wit a moving library and Pygmalion where scene changes were instigated by the removal of huge sheets of paper.

Credits:

Director
Benedict Esdale
Lighting designer
Brett Kasza
Sound designer
Sarah Spencer
Producer
Adeyinka Akinrinade

Contact Rebecca


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