It is with immense sadness and a deep sense of shock that we have to announce that our friend and colleague, designer Becs Andrews passed away on 6th January 2015.
Becs made a profound impact with the work that she made both as a commissioned designer and an artist in her own right producing ground breaking work with her own company.
Despite such an intense, creative career, she still found time to mentor and support young designers coming through, was a passionate educator and contributed fully to lobbying for improved fees and conditions for designers.
Becs’ contributions to our national exhibitions at SBTD and to World Stage Design were always bold and striking.
Alongside The Designers Formation, the agency that represented Becs, we are working to support her family by gathering tributes to Becs and documentation of her work.
A full tribute will appear in the next issue of Blue Pages.
If you would like to contribute please contact email@example.com
Huge congratulations to Kate Burnett, Trish Grasham, Brad Lee and the team from Backstage Academy for winning one of the PQ2015 Special Jury Awards. The panel were very impressed by the diversity of work selected to show in this digital format (see their statement below), so our thanks should also go to our own selection panel at Make/Believe in Nottingham, our management committee and to all the student volunteers from Royal Welsh College of Music and Drama and Nottingham Trent University who supported the exhibition there and will be involved again when the 3rd incarnation of the exhibit opens at the V&A on 10th July. Thanks also to the V&A and The Linbury Trust for their continued support.
Click below to see some images of the exhibit:
The jury’s statement:
This award recognises the richness and diversity of an exhibition that shows high quality work from across the spectrum of contemporary performance design – in a variety of venues, and embracing space, light, media and costume. The complexity of the selection shows scenographers working in many different ways and, importantly, a confidence in the way scenography can shape productions and engage audiences in multiple ways.
An expanded selection of designers will be exhibited at the V&A from 10th July 2015 – January 2016.
Theatre Set Deisgns and Costumes at
The Water Gardens,
Essex CM20 1WG
20th February – 27th March
Six designers will be showcasing their theatre set designs and some costumes. The selected designers have recently exhibited as part of the Society Of British Theatre Designers exhibition ‘Make:Believe’. The display has a mix of working theatre models, costumes and photographs showcasing the diversity of this art form.
During the exhibition there will be a number of workshops including:
Saturday 14th March – Open 10am – 4pm – ‘Set the Stage’ 11.30am – 1pm young persons practical workshop led by theatre designer Paul Burgess. Find out more by clicking here.
Saturday 14th March – Theatre Design Discussion Group – 2pm – 3pm Led by SBTD member Paul Burgess, who also curated our theatre display in this exhibition, this will be an opportunity to learn more about the theatre deesign in this exhibition and ask questions and discuss with others theatre and art. Informal session for all to attend.
Bob Crowley – A renowned theatre designer and theatre director.His stage designs have stunned West End and Broadway audiences for years.
Simon Daw – A UK based stage designer and artist. He studied Fine Art at Glasgow School of Art and a Postgrad at Motley Theatre Design course.
Matt Deely – Matt just finished a Stadium event, Kwibuka20 in Rwanda, and designed a set for ‘Celtic Woman’, USA tour. He studied at Motley and has 10 years experience working in set design.
Shizuka Hariu – A multidisciplinary designer and co-director of SHSH Architecture + Scenography.
Kimie Nakano – She has been inspired by the notions of time and space, experimenting with ‘scent and sound’ in a black box performance space.
Antonella Petraccaro – My work deals with the theatrical aspect of costume design. I am a defender of ‘costume performance’, as I see costume as the conveyor of meaning and as independent storyteller, and therefore playing a pivotal role in a production
Additional photographs and film by designers:
The designers that have been chosen from the Make: Believe exhibition to represent the UK at the 2015 Prague Quadrennial and those whose work has been selected to be displayed with them at the V&A, were decided by a panel proposed by the SBTD Committee. The panel was made up of designers: Vicki Mortimer, Kathy Sandys and Sophie Jump, National Exhibition and PQ2015 UK Exhibit Curator Kate Burnett, exhibition designer/co-ordinator Trish Grasham, chaired by Sean Crowley, in consultation with Kate Bailey V&A Curator and with the input of emerging designers (who have worked throughout the Make/Believe exhibition and catalogue process) Brad Caleb Lee, Hannah Boothman and Jesca Warren. As the only exhibitor on the panel Sophie agreed to be excluded from consideration.
The panel agreed that it was extremely difficult to make choices because of the amount of excellent and exquisitely presented work. It was agreed that the selection for our small space at PQ could be amplified for the temporary exhibition space within the V&A Theatre and Performance Galleries. So we have created a second list of work we intend to add in at the V&A and for a potential touring exhibition.
We all acknowledge the difficulty of competition in what is a collaborative art form and that some will be disappointed that the painstaking and expensive work put into creating these displays may not be taken forward to the PQ and V&A.
But all this work has been truly appreciated by unprecedented numbers of visitors at NTU, many traveling large distances to see the exhibition, bringing friends, family, professional contacts and spreading a fabulous amount of word-of-mouth praise and enthusiasm. Thank you to all who participated and worked on this truly celebratory shared event.
The selection criteria were as follows:
* Work that represents the length, breadth and depth of contemporary performance design in the UK – both geographically and in terms of scale, genre and disciplines.
* Work that demonstrates excellence in skills, vision and commitment.
* Work in which the scenographic elements are clearly unified within the performance.
* Work that is forward looking and that emphasises consideration of the relationship between the audience and performance:
- through the designer’s input being integral to the work
- through an essential engagement with space and context (of place, occasion, community)
* Work that grapples with the UK’s identity, our history, politics and our future, including how we relate to the rest of the world.
The PQ2015 themes for the countries and regions section – Music, Weather, Politics – have chimed in many instances with work in the exhibition, but have not dictated the selection.
All participating designers in Make/Believe will be represented in a digital display in all venues and are included in the catalogue that is available to buy here. We hope all members and friends will continue to participate in and support the SBTD in Prague, at events at the V&A and beyond.
Kate Burnett and the Selection Panel
Kate Burnett, Curator,
Make/Believe: Design for Performance 2011-2015
Chosen to represent the UK at Prague Quadrennial 2015
Association of Sound Designers
Lucía Conejero Rodilla
Kimie Nakano & Matt Deely
Myriddin Wannell (Wildworks)
Added to the above for the V&A exhibition
Amelia Jane Hankin
Lizzie French & Cadi Lane
Marie Jeanne Lecca
Roundabout Studio Three Sixty
Simon Wilkinson & Jamie Harrison
Make/Believe hosted by Nottingham Trent University Newton Building
14 – 31 January
10am – 5pm Monday – Saturday
Our Education and Professional Development Programme
In staging these nationally significant exhibitions every four years, we see it as vital to our future that we aim to engage as broad a range of young people, students, educators, theatre communities and fellow practitioners as possible in our education and professional development programme.
Workshops and self guided teacher visits for secondary schools and FE/ Foundation students will be taking place from 15 – 28 January throughout the run of Make: Believe. The programme is co-ordinated by Nettie Scriven working with Sarah Lewis as workshop facilitator, both exhibiting designers in the Make: Believe exhibition.
If you are interested in booking a workshop, please contact Nettie on 0781 6205343
Wednesday 28 January
The View From Here : A Collaborative Curatorial Project to Create the UK Student Exhibit for PQ’15
The Association of Courses in Theatre Design (ACTD) in partnership with the Society of British Theatre Designers (SBTD) are delighted to announce their first ever joint curatorial project by, for and with students of performance design currently studying in the UK.
The View From Here will see up to 50 student ambassadors representing approximately 25 institutions develop and curate the student exhibit for the Prague Quadrennial of Performance Design and Space (PQ’15) which will take place 18th – 28th June 2015.
Working with a group of 5 professional designers and curators, this student project will form part of a three-day residency at Nottingham Trent University. From this workshop process, student ambassadors will apply to be selected for 10 curatorial bursaries that will give them the opportunity to install and facilitate the UK national student exhibit in Prague.
Student ambassadors from all institutions will continue to contribute to the project via The View From Here Facebook group which has been running since October 2014
11.30 – 13.30 Registration The View From Here – Newton Building, Nottingham Trent University
14.00 – 18.00 1st student curatorial workshop session The View From Here
Thursday 29 January
10.00 – 16.00 All day student curatorial workshops The View From Here – Newton Building
16.00 – 18.00 Participatory Theatre: The Saviour of Regional Theatre?
A debate hosted by Nottingham Trent University in partnership with Nottingham Playhouse at Nottingham Playhouse.
With yet another British Theatre funding crisis, the future of regional theatre remains uncertain. Reports of English arts funding of £69 per head in London and £4.60 elsewhere illustrate the problem.
Nonetheless, some forms of Participatory Theatre appear to be thriving. These include Theatre in Education, Young People’s Theatre, Forum Theatre and Theatre for Development; performance-focussed work and process‐based activity aimed at personal, group and/or social development. This is happening in diverse areas such as work, political, social and community settings, and practitioners may be professional theatre performers and directors, facilitators in social work and education.
Many regional theatres have a long-standing and precious relationship with their communities. Could a dynamic and participating community be the life blood that regional theatre seeks? Will theatre ensure that community participation is central to artistic endeavour? And how does it affect theatres’ relationships with funding bodies, communities, education and art?
Giles Croft, Artistic Director of Nottingham Playhouse will chair the debate.
The Panel • Fiona Buffini, Nottingham Playhouse Associate Director • Adrian Jackson, founder and Artistic Director of Cardboard Citizens Artistic Director • Bill Mitchell, Artistic Director of Wildworks. • Richard Willacy, Associate Artistic Director and Executive Director of Birmingham Opera Company.
This is event is free to attend but please reserve your place by calling the Box Office on 0115 941 9419.
Link to PDF at top of page.
Friday 30 January
10.00 – 12.30 The View From Here student curatorial workshops continue
11.00 – 18.00 HE Courses Conference
Newton Lecture Theatre 2, Nottingham Trent University
Speakers include : Gary McCann, Angela Davies, Sean Myatt and Robert Allsopp
For full details of this event, please contact Patrick Connellan
Saturday 31 January
11 – 12.30 Meeting between ALD, SDUK, ASD and SBTD invited representatives.
12.30 – 13.15 Lunch and registration for The Good, The Bad and The Ugly
13.30 – 16.30 The Good, The Bad and The Ugly
Over the past six months we have been tracking the good, the bad and the frankly ugly ‘opportunities’ being presented as jobs for designers.
In November 2015 the Society of British Theatre Designers turns 40, and you know what they say – life begins…
Where are we now? Where are we going? What can we do?
LET’S PREPARE OURSELVES FOR WHAT THE FUTURE MIGHT LOOK LIKE…IT MIGHT ALREADY BE HERE!
Join us in the Newton building at Nottingham Trent University
to discuss, debate and plan the way forward with a range of guest speakers and provocateurs.
We would welcome contributions from directors, producers, lighting, sound and video designers and anyone else with an interest in this conversation, so please spread the word.
Link to PDF at top of page.
The event is free to attend. To book a place, please contact Fiona Watt firstname.lastname@example.org
16.30 onwards – Designer Drinks
The event will be followed by the opportunity to continue networking with colleagues, friends and new acquaintances at our Designer Drinks reception to mark the end of the run of Make/Believe in Nottingham and the launch of World Scenography Vol.2 in association with Nick Hern books.
It is with great sadness that we announce that designer Johan Engels has died suddenly at his home in Bath aged 62. Originally from South Africa, Johan’s many credits included a close association with the Bregenz Festival and director David Pountney.
If you would like to contribute to a full tribute to Johan, please contact email@example.com
The SBTD 2014 AGM will be held on November 11 at the:
All members welcome
Please can you confirm your attendance by 3 November as we have to submit all names of attending members to LCF to gain access to the rooms.
Through the prestigious Linbury Prize for Stage Design 2013 four emerging stage design graduates won a unique opportunity to design a professional production for the following major theatre, dance or opera companies: English Touring Opera, National Theatre of Scotland, Nottingham Playhouse and Scottish Dance Theatre.
Renowned designers Es Devlin, John Macfarlane and Christopher Oram selected a shortlist of twenty candidates, from which the four commissioning companies each chose three finalists to work on designs for a forthcoming production. The individual winners are Florence de Mare who trained at Royal Academy of Dramatic Art; Madeleine Girling, a graduate of the Royal Welsh College of Music and Drama; Ana Ines Jabares Pita who graduated from Royal Central School of Speech and Drama; and Alexander Ruth a graduate of the London College of Fashion.
Ana Ines Jabares Pita was also named the overall winner of the Linbury Prize 2013, and wins an extra £1,000 in addition to the £2,000 prize money received by all four winners. The awards were presented by Anya Sainsbury, founder of the Linbury Prize and Caro Newling, the Chair of the Linbury Prize Committee.
Congratulations to all winners and finalists.
To recieve information about the 2015 Linbury Prize register here. The Linbury Prize 2015 is open to final year students and graduates from 2014 or 2015 from Theatre Design degree or postgraduate courses recognised on this website (www.theatredesign.org.uk/training/) or by the Association of Courses in Theatre Design.
The RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce) have conferred the distinction of Royal Designer for Industry on the following performance designers for 2013:
Paul Brown RDI for fostering the place of UK set and costume design on the world stage
Sandy Powell RDI for her contribution to the establishment of UK’s pre-eminence in film costume design
For more information and a full list of Royal Designers for 2013 – http://www.thersa.org/action-research-centre/enterprise-and-design/design/rdi/royal-designers-for-2013