The Society of British Theatre Designers

The conceit is at once airily cute and steadily unsettling, something that designer Naomi Wilkinson encapsulates with a forest scene stretched across imprisoning walls. Not even a giant bunny sculpture, sitting happily at the rear of the stage, distracts from the sense of a laboratory maze viewed through the frame of a two-way mirror, as though the audience are co-conspirators in placing love under a microscope Irish Times